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"Old Time Radio"
A traditional Christmas Tale: Grand Central Station A Miracle for Christmas
On December 24, 2011
Podcast: Download
Judy Stadt and WGRN Radio
Present
A Traditional Christmas Story
A MIRACLE FOR CHRISTMAS
from the series
GRAND CENTRAL STATION’s traditional xmas drama 1945
For 6 years this weekly drama was sponsored by Pillsbury.
Today, WGRN presents this traditional xmas play which was performed by some
of Hollywood’s finest actors
In this haunting dramatized radio play we are taken along for a ride.
We’re with an angry NY ambulance driver who hates what he is doing.
But soon learns about humanity from a stranger who is his sidekick tonight.
It is Christmas Eve and he will witness a miracle.
As we listen to this theatre of the mind radio play keep in mind that this was produced in 1945 … before television, and so many people in our country sat in front of their large wooden radios listening in amazement to these stories over the air waves. This story
gives you a peek into the past, into the naivete of Americans at that time … it is complete with organ music and all.
Hope you enjoy
A MIRACLE FOR CHRISTMAS
WeEarth Global Radio Network
On air host:THE LUNCH & JUDY SHOW
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Lunch and Judy # 84: JUDY STADT’S ANNUAL HALLOWEEN SPECIAL!
On October 27, 2011
Podcast: Download
A HAUNTING TALE, by Judy Stadt
HAUNTED HEART, Jo Stafford
ESCAPE: THE HOUSE OF USHER, Edgar Allen Poe
INTERVIEW WITH BELA LUGOSI
LEMONADE, from Miami Beach Monsters
VISIT WITH A GHOST, Judy Stadt
CATSKILLA’S REVENGE, Lyric by Stephen Cole, Music by Steven Silverstein…performed by Stephen Cole with Silverstein at the piano
A SOUTHERN TALE
I WANT TO BE EVIL, by Judy Stadt
MICHIEF NIGHT, Sue Maskaleris
THE TRANSYLVANIAN TWO STEP, Sugar Kane
MRS. SCHROEDER’S BABY, by P. Maxwell
Adapted for the show by Judy Stadt
Podcast: Download
One of the ironies of the mythology that has sprung up surrounding Orson Welle’s Mercury Theater broadcast of the War of the Worlds on October 30, 1938 — is that the idea for Mercury Theater on the Air to do this was not Welles at all. It was CBS Producer John Houseman who first suggested the idea — an idea which Welles initially rejected as boring. But it was the suggestion from Houseman, and the “it’s boring” reaction from Welles, that led Welle’s to engage his agile and creative mind in a thought process that would yield a format for the broadcast singularly panic-inducing moment in American cultural history.
It was Welles who thought — wouldn’t it be interesting if we unveiled the story via a series of bulletins that would interrupt supposed “regular programming”, giving it a sense of urgency and reality that would overcome what Welles felt was the tendency of the material to be a bit boring……
And so it was, that you might have been seated comfortably in your living room on the evening of October 30, 1938, a Sunday evening. Perhaps you went to the kitchen and missed the disclaimer at the beginning of the show, or perhaps you were channel surfing and missed the disclaimer that way, or perhaps you just weren’t paying attention during the moments the disclaimer came on — but one way or another, your attentionwas suddenly caught by:
“Ladies and gentlemen, we interrupt our program of dance music to bring you a special bulletin from the Intercontinental Radio News. At twenty minutes before eight, Central Time, Professor Farrell of the Mount Jennings Observatory, Chicago, Illinois, reports observing several explosions of incandescent gas, occurring at regular intervals on the planet Mars. The spectroscope indicates the gas to be hydrogen and moving towards the Earth with enormous velocity…”
A few minutes later, after a series of bulletins:
“Ladies and gentlemen, this is Carl Phillips again, out at the Wilmuth farm, Grovers Mill, New Jersey…I hardly know where to begin…I guess that’s the thing buried in front of me, half buried in its vast pit.”
And then:
“Ladies and gentlemen, this is the most terrifying thing I have ever witnessed…Someone’s crawling out of the hollow top…The whole field’s caught fire…It’s coming this way. About twenty yards to my right—”
And then there was silence — complete silence.
Pretty chilling.
WeEarth Global Radio Network is proud to be able to offer the opportunity to listen once again to Orson Welles “War of the Worlds”.
H.G. Wells and Orson Wells Discuss “War of the Worlds” Radio Broadcast in 1940
On September 5, 2011
Podcast: Download
Next Sunday, September 11, at noon Pacific/3pm Easter time, WGRN will be presenting as part of its Golden Age of Radio series the 1938 Broadcast of H.G. Welles “War of the Worlds” by the Mercury Theater under the direction of then 23 year old Orson Wells — a broadcast which caused a now-infamous uproar when American citizens, in spite of multiple warnings interspersed throughout the broadcast, took the invasion by Martians to be real, causing widespread panic.
In doing our research we came across an interesting tidbit which we would like to share in anticipation of next week’s broadcast — an interview in H.G. Wells and Orson Welles meet for the first time in 1940, two years after the broadcast. It was the first time Wells (without an “e”) and Welles (with one) had met. The interview is also notable in that it took place just as Orson Welles was finishing Citizen Kane, and includes comments from Orson Welles which, given what Citizen Kane would become in the pantheon of American cinema classics, are interesting in their own right.
WeEarth Global Radio Network Presents the Golden Age of Radio
On September 3, 2011
WeEarth Global Radio Network WeEarth is pleased to present selected top episodes of many of the best shows of the Golden Age of Radio. We invite you to listen, not simply for a taste of nostalgia — but for the imaginative transport that these shows well written and creatively produced can provide. Our initial selection includes episodes from The New Adventures of Charlie Chan, Amos n’ Andy, Red Skelton, Laurel and Hardy, Hopalong Cassidy, and more — and in the future we will continue to offer selected episodes from the greats of the Golden Age of Radio.
Continue reading »
Halloween
On September 2, 2011
Podcast: Download
WeEarth Global Radio Network is pleased to present selected episodes of Golden Age Radio, featuring old time radio shows that are universally regarded to have been extraordinary achievements in an era when radio was new, and ruled the entertainment sphere..
This episode: Halloween
Tagged with: golden age radio • halloween radio show • old time radio • weearth global radio network
Superstitious Talk
On September 2, 2011
Podcast: Download
WeEarth Global Radio Network is pleased to present selected episodes from the Golden Age of Radio, featuring old time radio shows that are universally regarded to have been extraordinary achievements in an era when radio was new, and ruled the entertainment sphere..
This episode: Superstitious Talk
Picnic
On September 2, 2011
Podcast: Download
WeEarth Global Radio Network is pleased to present selected episodes from the Golden Age of Radio, featuring old time radio shows that are universally regarded to have been extraordinary achievements in an era when radio was new, and ruled the entertainment sphere..
This episode of classic radio: Picnic
Tagged with: classic radio • golden age of radio • old time radio • picnic radio show • weearth global radio network
Red Skelton | Town Gossip
On September 2, 2011
Laurel and Hardy | Slater’s Poultry Market
On September 2, 2011
Podcast: Download
WeEarth Global Radio Network is pleased to present selected episodes of Golden Age Radio, featuring old time radio shows that are universally regarded to have been extraordinary achievements in an era when radio was new, and ruled the entertainment sphere..
This episode:
Laurel and Hardy in Slater’s Poultry Market
Better known for the movie work, Stan Laurel and Oliver Hardy created Slater’s Poultry Market as a pilot for a proposed radio show — and that Pilot has become a classic even though the show was shelved.
The premise for the series is simple — each week, Stan and Ollie are looking for work, and begin a new job. In Slater’s Poultry Market, the job is to kill and deliver chickens. At the outset they arrive at the wrong address, are mistaken by a gang of mobsters as two killers-for-hire, and mayhem ensues.
Unlike Laurel & Hardy’s only other available radio appearance, “The Wedding Night”, Slater’s was not written by Stan Laurel. Throughout, the show moves forward based on verbal misunderstandings. It’s good fun, and worth a listen.
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